BEETLEJUICE BEETLEJUICEÂ (12)
D: Tim BurtonÂ
Warner Bros / Geffen / Plan B / Domain (Marc Toberoff, Dede Gardner, Jeremy Kleiner, Tommy Harper & Tim Burton)
US 🇺🇸 2024
104 mins
Comedy/Fantasy/Horror
W: Alfred Gough & Miles Millar [based on characters created by Michael McDowell & Larry Wilson]
DP: Haris Zambarloukos
Ed: Jay PrychidnyÂ
Mus: Danny Elfman
PD:Â Mark Scruton
Cos:Â Colleen Atwood
Michael Keaton (Betelgeuse), Winona Ryder (Lydia Deetz), Catherine O’Hara (Delia Deetz), Jenna Ortega (Astrid Deetz), Justin Theroux (Rory), Willem Dafoe (Wolf Jackson), Monica Bellucci (Delores LaFerve), Arthur Conti (Jeremy Frazier)
A sequel to 1988’s Beetlejuice had been bouncing around for well over a decade before the long-awaited sequel was finally released in 2024, and it’s quite clear to see that the result is an overly cluttered, jumbled mess of ideas that likely came from a multitude of possible scripts being crammed into one.
Michael Keaton fits the mischievous role of  Betelgeuse like a glove, whilst Winona Ryder is back as a grown up Lydia Deetz, a neurotic host of a tacky paranormal reality TV show, who returns to the small New England town of Winter River with her stepmother Delia & estranged daughter, Astrid, to prepare for her father’s funeral, only to be haunted once again by the malevolent trickster.
There are way too many subplots that the plot needs to juggle, from the return of Betelgeuse’s ex-wife who plots revenge against him, a B-movie actor playing the role of a cop in the afterlife, a slimy TV producer rushing to land Lydia’s hand in marriage and a teenage boy who develops a friendship with Astrid, though his intentions may not quite be so pure.
In the end, many of the subplots go absolutely nowhere or are dealt with in a completely unsatisfying way, especially in the anti-climactic ending which is clearly setting up a third movie.
Michael Keaton is great, and is clearly having the time of his life playing the part, and Jenna Ortega is also very good as the moody teenage daughter.  Winona Ryder is a completely different character from the first film, whilst Catherine O’Hara is annoyingly bad, with a character who was always obnoxious but is highly irritating this time around. Monica Bellucci & Willem Dafoe’s characters are completely pointless, and ultimately make no difference to the plot.
As with the first film, the makeup effects are excellent (aside from Willem Dafoe’s get up, which was clearly done to look bad intentionally), the costuming is brilliant and a special mention also needs to go to the production designers, not only for capturing Tim Burton’s gothic style, but also for recreating the iconic house from the first movie.
It’s entertaining enough, but it’s miles away from the quality of the first film, which really didn’t need a sequel at all.
6/10