CREED IIÂ (12)
D: Steven Caple, Jr.
MGM/New Line (Sylvester Stallone, Kevin King-Templeton, Charles Winkler, William Chartoff, David Winkler & Irwin Winkler)
USA 🇺🇸 2018
130 mins
Sports/Drama
W: Sylvester Stallone & Juel Taylor [based on characters created by Sylvester Stallone]
DP: Kramer Morgenthau
Ed:Â Dana E. Glauberman, Saira Haider & Paul Harb
Mus: Ludwig Göransson
Michael B. Jordan (Adonis Creed), Sylvester Stallone (Rocky Balboa), Tessa Thompson (Bianca Taylor), Dolph Lundgren (Ivan Drago), Florian Munteanu (Viktor Drago), Phylicia Rashad (Mary Anne Creed)
When the first Creed movie was released in 2015, I enjoyed it on its own merits, but I also wondered whether the Rocky franchise had ran out of steam and whether or not a retread for a new generation had enough legs. Creed II proves that there's still life in the series, not only financially for the studio's bottom line but also thematically & entertainment purposes.
If the first Creed movie could be deemed a rejig of the first Rocky movie, it seemed from the trailers and marketing as though this sequel was a retread of Rocky IV, revisiting Ivan Drago and his son as the antagonists albeit without the Cold War backdrop (which was  way too cheesy in the 1985 movie).
The blueprints are pretty much the same here. Protagonist boxer has the heavyweight title, antagonist boxer wants it, first fight ends badly, training montages ensue, protagonist makes amends, all padded out with domestic issues, ethical disputes and a little dash of romance, and though the running time does exceed the 120 minute mark it does not feel like a 130 minute movie, all due to good pacing, solid performances and a well-delivered theme about fatherhood which runs through the narrative. Michael B. Jordan, Sylvester Stallone and Tessa Thompson are all excellent, but special mention has to go to Dolph Lundgren, who I never considered a good actor, but he is exceptionally good in this, as a fallen star forcefully influencing his son to follow in his footsteps and succeed where he failed.
Even though it's a film about boxing, it's not a film about boxing, and as a sequel I think it surpasses the original for quality, so much so, that it makes Rocky IV a better film.
A must watch for fans of the Rocky movies and first Creed film, and even worth catching if you want to see a thoroughly entertaining sports drama.
7/10
CREED III (12)
D: Michael B. Jordan
MGM / Chartoff-Winkler / Proximity Media / Outlier Society (Irwin Winkler, Ryan Coogler, Michael B. Jordan & Elizabeth Raposo)
US 🇺🇸 2023
Sports/Drama
W: Ryan Coogler, Keenan Coogler & Zach Baylin
DP: Kramer Morgenthau
Ed: Tyler Nelson & Jessica Baclesse
Mus: Joseph Shirley
Michael B. Jordan (Adonis Creed), Tessa Thompson (Bianca Taylor-Creed), Jonathan Majors (Damian ‘Diamond Dame’ Anderson), Wood Harris (Tony ‘Little Duke’ Evers), Florian Munteanu (Viktor Drago)
The initial question going into this third Creed movie was always going to be whether or not Sylvester Stallone’s presence would be missed, following confirmation that he would not be reprising his role as Rocky Balboa.
The answer to which is not really, as the torch has well and truly been passed to Michael B. Jordan’s Adonis Creed to continue the Rocky/Creed series.
Whilst the first Creed film was a reboot of the original Rocky film and Creed II was a reworking of Rocky IV, it’s fair to say that this second sequel has similar themes to Rocky V, the quality of story and filmmaking is generally much better.
Having retired from professional boxing to settle down with his family, Adonis Creed is approached by a former childhood friend, ex-convict Damian Anderson (Jonathan Majors), a former boxing prodigy who has aspirations of his own to be the heavyweight champion, and hopes his connection to the retired fighter will provide him with an opportunity.
Anderson gets his chance and takes it, only after which does Creed realise he’s been manipulated, setting up his own return to ring action so he can make amends.
The plot is quite predictable at this point and does rely quite heavily on a few too many coincidences and contrivances, but this is balanced out by some fine performances, particularly from Jonathan Majors as the film’s antagonist harbouring a shamed past.  Michael B. Jordan takes over the directorial reins from Ryan Coogler for this one, and does a competent job, though he very much does his own thing with the fight scenes which may work for some people, but didn’t really work for me.
Not quite as good as the previous two films, but still a decent sequel with some dramatic punch.
6/10