GHOSTBUSTERS: AFTERLIFE (12)
D: Jason Reitman
Sony / Columbia / Bron Creative / Ghost Corps (Ivan Reitman)
USĀ šŗšøĀ 2021
124 mins
Comedy
W: Gil Kenan & Jason Reitman [based on the 1984 screenplay āGhostbustersā by Dan Aykroyd & Harold Ramis]
DP: Eric Steelberg
Ed: Dana E. Glauberman
Mus: Rob Simonsen
Carrie Coon (Callie Spengler), Paul Rudd (Gary Grooberson), Finn Wolfhard (Trevor), Mckenna Grace (Phoebe), Logan Kim (Podcast)
Following a 2016 reboot of Ghostbusters that didnāt sit well with many fans, Sony & Columbia went back to the well for a sequel/soft reboot that draws far more inspiration from the original films, albeit framed with a narrative that is more akin to the Stranger Things series.
Ghostbusters fans who were disenchanted with the 2016 remake cried havoc that a new film didnāt pass the torch to a new generation of supernatural spook hunters, and the studio listened for this film.
The plot follows the daughter and grandchildren of Egon Spengler (Harold Ramisā character from the original films), as they inherit his Oklahoma farmhouse following his death, and his grandchildren Phoebe and Trevor, uncover some ghostbusting gadgets and discover that the battle from the original movie may have been won, but the war is far from over.
Thereās certainly enough here in the way of nostalgia and Easter eggs to appeal to fans of the original film, and the plot is accessible enough for an entire new generation, but it does lack the acerbic humour of the original film for something far more family-friendly (albeit with a 12 rating when the original film is a PG).Ā Ā Mckenna Grace steals the film as Egonās science nerd granddaughter (sans the end credits song which is completely out of place), and the rest of the cast donāt really put a foot wrong, and the visual effects are incredibly well done, particularly in the finale.
Partially, it is a film for the fans, but it also smells a lot like a movie by committee, which is still the polar opposite of what the original film was.
Still, I enjoyed the nostalgia at face value, as well as the cameos from some of the original cast.
6/10
GHOSTBUSTERS: FROZEN EMPIRE (12)
D: Gil Kenan
Sony / Columbia / GhostCorps / Right of Way (Ivan Reitman, Jason Reitman & Jason Blumenfeld)
USĀ šŗšøĀ 2024
115 mins
Comedy
W: Gil Kenan & Jason Reitman [based on characters created by Dan Aykroyd & Harold Ramis]
DP: Eric Steelberg
Ed: Nathan Orloff & Shane Reid
Mus: Dario Marianelli
Paul Rudd (Gary Grooberson), Carrie Coon (Callie Spengler), McKenna Grace (Phoebe Spengler), Finn Wolfhard (Trevor Spengler), Kumail Nanjiani (Nadeem Razmaadi), Dan Aykroyd (Dr. Raymond Stantz), Ernie Hudson (Dr. Winston Zeddemore), Bill Murray (Dr. Peter Venkman), Annie Potts (Janine Melnitz), William Atherton (Mayor Walter Peck)
If 2021ās Ghostbusters: Afterlife was a nostalgia ride for fans of the original Ghostbusters films from the 1980s, this 2024 offering must surely be aimed at fans of āThe Real Ghostbustersā cartoon series, that ran from 1986-1991, appealing directly to younger kids and dropping the dry, dark humour that the original film is noted for, focusing instead on Scooby-Doo ghost chasing adventures.
The action is back in New York City, utilising familiar locations from the original films and bringing some old characters back for the hell of it, including bureaucratic environmentalist Walter Peck, who is now mayor of the city as an excuse to bring him back into the series.
The main ghost here is a powerful ice demon that is accidentally released from his supernatural prison, though the steps to get there require more plot acrobats than should really be necessary.
The cast of Afterlife return, and though Paul Rudd gets top billing, most of the attention is on precocious teenager, Phoebe, who is written to be super smart but actually makes some of the dumbest decisions in the entire film, all because she wants some ghost puss or some such nonsense.
The film is a huge disappointment, especially considering Ghostbusters: Afterlife had brought the old fans back on side following the absolute car crash of 2016ās attempted reboot.Ā Ā Too many characters, too many subplots, too many jokes that fall flat, scenarios that go absolutely nowhere and a screenplay that feels as though it was written by artificial intelligenceĀ
The ball was handed over from the legacy characters to the newbies to run with in the previous film, but they fumble it quite badly here. This one really puts the bust in Ghostbusters, and though it isnāt as shockingly bad as 2016ās attempt, that really canāt be considered a win.
4/10