THE HOBBIT: THE BATTLE OF THE FIVE
ARMIES (12)
D: Peter Jackson
Warner/New Line/MGM/Wingnut (Carolynne Cunningham, Zane
Weiner, Fran Walsh & Peter Jackson)
US/New Zealand 2014
144 mins
Fantasy/Adventure
W: Fran Walsh, Philippa Boyens, Peter Jackson & Guillermo
del Toro [based on the novel by J. R. R. Tolkien]
DP: Andrew Lesnie
Ed: Jabez Olsson
Mus: Howard Shore
PD: Grant Major
Martin Freeman (Bilbo Baggins), Ian McKellen (Gandalf),
Richard Armitage (Thorin Oakenshield), Evangeline Lilly (Tauriel), Lee Pace (Thranduil), Luke Evans (Bard), Ken Stott (Balin), Cate Blanchett (Galadriel), Ian Holm (Old Bilbo), Christopher Lee
(Saruman), Hugo Weaving (Elrond), Orlando Bloom (Legolas), Benedict Cumberbatch (voice of Smaug)
Though it served The Lord Of The Rings well to be split into a
trilogy, it felt unnecessary to do it with J. R. R. Tolkien's The Hobbit. Whilst some may say it's so the film is as faithful adaptation as possible from the book, this is debunked by the
decision to cast Orlando Bloom, reprising his role as Legolas. The real reason was, more cynically, to coax people into paying for the same film three times. The first segment of the trilogy is
completely redundant, setting up characters and a story which never materialises until the second film, in which the wheels are really set in motion. This third film culminates in the battle
described in the subtitle, before closing with a reference to the events which can be seen in The Lord of the Rings trilogy.
In fairness, it delivers what it promises, but having to sit
through two previous films to get here may test the patience of even the most ardent fan, especially since the films were released a year apart and didn't quite have the memorable weight to
bridge the gaps between.
With the dragon Smaug defeated and the people of Laketown
suffering the loss of their homes, the survivors head to the Lonely Mountain, where Bilbo and the dwarves prepare for battle. Complications arise when Thorin, the leader of the dwarves is
struck with "dragon sickness" while searching for the fabled Arkenstone, though he regains his sanity just in time for the big showdown.
As with the previous films, the visual effects and creation of
Middle Earth are done impeccably, utilising imaginative production design, costumes, makeup and cinematography to make the fictional world look as though it were a real location. The same can
also be said of the mythical creatures who dwell within and this is where Peter Jackson excels in his vision. Where he falters is by eking out the story over three films, whereby two would have
been perfectly sufficient.
7/10