MAD MAX (15)
MAD MAX 2: THE ROAD WARRIOR (15)
MAD MAX: BEYOND THUNDERDOME (15)
FURIOSA: A MAD MAX SAGA (15)
D: George Miller
Warner Bros / Domain (Doug Mitchell & George Miller)
Australia/US 🇦🇺🇺🇸 2024
148 mins
Action/Adventure/Science Fiction
W: George Miller & Nico Lathouris [based on characters created by George Miller, Nico Lathouris & Byron Kennedy]
DP: Simon Duggan
Ed: Margaret Sixel & Eliot Knapman
Mus: Tom Holkenborg
PD: Colin Gibson
Cos: Jenny Beavan
Anya Taylor-Joy (Furiosa), Alyla Browne (Young Furiosa), Chris Hemsworth (Dementus), Tom Burke (Praetorian Jack), Lachy Hulme (Immortan Joe), John Howard (The People Eater)
A Mad Max film that didn’t feature Mad Max didn’t endear itself to the fans who turned out in their droves for 2015’s Mad Max: Fury Road, which is a huge shame, as this origin tale of the Furiosa character makes for an entertaining watch and certainly didn’t deserve to be a box office flop.
The film opens with Furiosa as a young girl, abducted by a biker gang who roam the post-apocalyptic landscape under the leadership of warlord Dementus (Chris Hemsworth), who craves even more power and flexes his muscles before dictator Immortan Joe, who has a stronghold on all the water and oil. Dementus subsequently takes over “Gastown”, and as part of negotiations, Furiosa is sold to Immortan Joe.
Some years later, an older Furiosa (played by Anya Taylor-Joy) vows revenge on the man who took her from her home and murdered her mother, a journey which takes her onto the opening events of Mad Max: Fury Road.
Whilst part of me thinks that this is a film that doesn’t really need to exist and the mystery of the Furiosa character was one of Fury Road’s strengths, this certainly isn’t a cash grab sequel and George Miller helms it with the respect it deserves, just as he did with the first four films. Anya Taylor-Joy does a fine job in the lead, though her performance is overshadowed by the really impressive Alyla Browne, who plays the character as a young child.
If I was to nitpick, it would only be to say that the visual effects in the 2015 film were far more impressive, but the scale of that film was also larger. For the most part, all the production values here are very good, especially with the set design, costumes and makeup, the latter of which may have had a chance for an Oscar nomination were it not for Chris Hemsworth’s needless prosthetic nose.
It’s nowhere near the same area as Mad Max: Fury Road, but it’s still an exciting journey.
7/10